西路軍征戰(zhàn)河西，太慘烈。想二十年前，我還去過(guò)高臺(tái)，可惜年少不識(shí)愁滋味，不懂得西路軍的歷史，更不知道長(zhǎng)征后的外祖父跟著徐向前的西路軍就蹣跚在河西走廊，九死一生！

角色塑造和故事情節(jié)比剛看的《殲十出擊》要好很多，但戰(zhàn)斗場(chǎng)面的細(xì)節(jié)還是很有問(wèn)題，煙火、特效、戰(zhàn)術(shù)動(dòng)作、子彈供應(yīng)——其實(shí)開(kāi)篇都說(shuō)了，韓為了搞到兩三千發(fā)子彈，不慎上了馬匪的當(dāng)，使幾名紅軍犧牲，差點(diǎn)兒受處分，可見(jiàn)西路軍的捉襟見(jiàn)肘。但是雙方一開(kāi)火，機(jī)動(dòng)性極強(qiáng)的馬家軍也沒(méi)攜重武器，秦基偉部倒還有幾挺重機(jī)槍?zhuān)瑓s到處是火藥炸點(diǎn)。這是國(guó)產(chǎn)戰(zhàn)爭(zhēng)片的通病。

片尾歌功頌德意味太明顯。不過(guò)，無(wú)數(shù)先烈的奮不顧身，太值得今天去倍加珍惜。

票價(jià)只十元。我?guī)缀醢鼒?chǎng)，這是最悲哀的。

片中插曲配樂(lè)是關(guān)峽的《軌道》，熟稔，激動(dòng)。鋼鐵的意志鋼鐵漢，百戰(zhàn)百勝美名傳。

主題曲更動(dòng)人?！痘餍浅桨殡S著你》一出，默默淚流。

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昨天的風(fēng)　昨天的雨

昨天血染的戈壁

今天的天　今天的地

今天高揚(yáng)的國(guó)旗

不要說(shuō)我已倒下

看不到黎明的晨曦

不要說(shuō)我已離去

聽(tīng)不到勝利的樂(lè)曲

 

啊　我看到了　你已傲然站起

啊 我聽(tīng)到了　你在自由呼吸

 

來(lái)　來(lái)　來(lái)　來(lái)　來(lái)吧

來(lái)　來(lái)　來(lái)　來(lái)　來(lái)吧

我們集合　我們集合

我們集合　我們集合

去參加祖國(guó)生日的賀禮

 

來(lái)　來(lái)　來(lái)　來(lái)　來(lái)吧

來(lái)　來(lái)　來(lái)　來(lái)　來(lái)吧

我們出發(fā)　我們出發(fā)

我們出發(fā)　我們出發(fā)

鏗鏘的腳步　鏗鏘的腳步

鏗鏘的腳步　鏗鏘的腳步

驚天撼地　驚天撼地

 

昨天的風(fēng)　昨天的雨

昨天血染的戈壁

今天的天　今天的地

今天高揚(yáng)的國(guó)旗

親愛(ài)的　我不會(huì)倒下

化作星辰伴隨著你

親愛(ài)的　我絕不離去

永遠(yuǎn)守衛(wèi)你精神的高地

 

啊　我看到了　你正傲然崛起

啊　我聽(tīng)到了　你在長(zhǎng)空搏擊

 

來(lái)　來(lái)　來(lái)　來(lái)　來(lái)吧

來(lái)　來(lái)　來(lái)　來(lái)　來(lái)吧

我們集合　我們集合

我們集合　我們集合

鑄成祖國(guó)剛健的軀體

 

來(lái)　來(lái)　來(lái)　來(lái)　來(lái)吧

來(lái)　來(lái)　來(lái)　來(lái)　來(lái)吧

我們出發(fā)　我們出發(fā)

我們出發(fā)　我們出發(fā)

像驚沙呼嘯　像驚沙呼嘯

像驚沙呼嘯　像驚沙呼嘯

狂飆萬(wàn)里　狂飆萬(wàn)里

  


 

我一直對(duì)我們國(guó)家的很多電影獎(jiǎng)，抱有極大的懷疑。

這部電影中，有很多始終不明白的事情：
1、片名是神馬意思？
2、那對(duì)兄妹的感情，太曖昧了。
3、……
太多了，我都記不住了。

我常常責(zé)備自己，沒(méi)什么審美，因?yàn)槲沂冀K都欣賞不了主旋律電影。
就愛(ài)娛樂(lè)片。

導(dǎo)師特別善良的說(shuō)，戰(zhàn)爭(zhēng)場(chǎng)面拍得還行。

作為看著美國(guó)電影長(zhǎng)大的人，我實(shí)在找不出可以和美國(guó)電影戰(zhàn)場(chǎng)場(chǎng)面較量的地方。

好吧，我比較不厚道。

基本符合歷史事實(shí)，比較客觀。
戰(zhàn)爭(zhēng)的殘酷表現(xiàn)得淋漓盡致，沒(méi)有過(guò)分的夸大和粉飾，比同類(lèi)的國(guó)產(chǎn)戰(zhàn)爭(zhēng)片要好太多?。。?！

這個(gè)電影很主旋律，但是如果是為了弘揚(yáng)主旋律，就不會(huì)拍馬步芳的題材了。這段歷史被有選擇的忽略，出版的書(shū)和影片很少，西北軍的故事大多流傳在坊間，被正史淡忘也就漸漸被人遺忘。能拍成電影，一定環(huán)境下必須得又紅又專(zhuān)。

這場(chǎng)戰(zhàn)斗的實(shí)質(zhì)是兩股力量為了爭(zhēng)地盤(pán)，一部分國(guó)人打另一部分國(guó)人。到了當(dāng)時(shí)的形勢(shì)下，已經(jīng)無(wú)法分誰(shuí)對(duì)誰(shuí)錯(cuò)，盡管都知道自己人打自己人沒(méi)意思，但是戰(zhàn)爭(zhēng)無(wú)法避免。成王敗寇，自古如此。所以看看電影反映出的戰(zhàn)爭(zhēng)套路。

馬步芳力量

1.在西北擁有一定地方影響和號(hào)召力，電影中告密者也是暗示。

2.熟悉地形，擁有地利優(yōu)勢(shì)。

3.武器精良，供給充分，軍隊(duì)強(qiáng)悍，尤其是騎兵。

4.武裝先進(jìn)，但是歸根是西北地方勢(shì)力，而紅則是全國(guó)皆兵。

5.舊軍閥缺乏信仰裝飾，純依靠獎(jiǎng)賞和威嚇。

紅方力量

1.重視信仰教育和宣傳得人心。即便是死了也是光榮，即便死了也得先要拉上一堆西北同胞。自己人再苦也要善待俘虜，這是對(duì)全國(guó)的宣傳，占據(jù)道德制高點(diǎn)瓦解了敵方軍心。

2.善于戰(zhàn)略布局。分得清主次，下得了狠心，為了彈藥、現(xiàn)金等物資，死一部分人沒(méi)什么。為了保衛(wèi)首長(zhǎng)，或者大部隊(duì)轉(zhuǎn)移，丟棄一部分人很正常。但是，要給這些赴死之人價(jià)值感。

3.我方目標(biāo)是全國(guó)，勢(shì)力也在全國(guó)。馬步芳雖強(qiáng)但也只是地頭蛇。

電影好的地方是拍出了戰(zhàn)爭(zhēng)的慘烈，一個(gè)個(gè)生命就在底盤(pán)爭(zhēng)斗中消失。不好的地方是，把西北人構(gòu)成的馬家軍拍的跟日本鬼子似的。

興，百姓苦。亡，百姓苦。

 The Victory Is By No Means Accidental
A review of the film JING SHA

By Veronica

The film Jing Sha was quite heart-shaking. It was adapted from an authentic historical event.The film describes the story of Red Army Western Expenditure, and portrays several distinctive characters. The battle between Kuomintang and the Red Army is stirring, and the stark contrast shown in this film is also shocking.
The whole film was structured on the basis of a stark contrast between the two forces.
Their attitude towards war was enormously different. At the beginning of the film, the head of Kuomintang army forced his soldiers to fight, using carrot and stick. He promised to give them whatever they want while executed the soldiers who defected or withdrew by shooting as a warning to others. For the soldiers in the Red Army, the situation was just the opposite. They wanted to stay at the warfront and fought until the last. They chose to stay even being forced to leave. When their lives were at stake, they put others’ interest first and cared little about themselves. The doctor put himself in danger saving the patients; the pregnant woman preferred to die fighting rather than leave. The wounded, the women, and even the children fought until the last moments of their lives.
Second, the contrast manifested in the combat equipments. The Kuomintang army used state-of-the-art combat equipments, and they ate well and drank well. But for the soldiers in the Red Army, they ate barks and grass roots. They didn’t even have enough guns and bullets. Bricks and stones were all their weapons. When all the munitions ran out, they pick ed up broadswords and fought hand-in-hand. It was the spirit that keep them fighting. Despite the harsh conditions, the Red Army resisted for over three days and finally broke out of the encirclement, showing their will and combat capability.
The film has successfully depicted several distinctive characters, among which Qin Jiwei impressed us most. His personality was quite full and complex.He was experienced in fighting and rich in war strategies. He showed his composure during the battles and made wise decisions about when to stay and when to leave. He also attended to others, and it killed him to shoot Guifang to death. He was fortunate enough to be the only one to survive and later became one of the generals who witnessed the victory of the Communist party and the foundation of the PRC. Guifang’s husband, Han, was warm-hearted and humorous. Peng was different from other soldiers. He appeared more like an intellectual, who was a little stubbon and conservative. But he recorded the combat with his pen and sacrificed his life. The song he sang shortly before death was really touching and heart-breaking.All the major characters had some characteristics in common: faithful to the army, brave and capable in fighting, and never be afraid of death.
This film is also impressive and worth praising because it successfully depicted several women characters. Gui fang is the most impressive one. She was courageous and capable. She fought against the enemy as men did, even when she was pregnant. As a woman, she regarded the interest of the army as more important than her own family. And the nurse was also bold. Confronting the brutal and savage enemy, she was weak and could do nothing except weeping. But she got the nerve to kill the enemy in fighting against the rape. Even a young girl showed her attendance of others and courage to fight and die. They all sacrificed themselves for the collective interests and more grandly, the ideal of liberation.
The film has its symbolic meaning. By telling the story of Qin Jiwei and other warriors who sacrificed their lives during the combats, the film indicates the difficulties and hardships of establishing a peaceful and prosperous country. While enjoying the life now, we should always remember those who shed blood to pave the way for a better tomorrow.
In terms of the technique of film expression, the three closes-up of Qin Jiwei impress me most. The first came after one wounded soldier said”the wounded are fighting forces in war”, and persuaded him to allow them to stay and fight. After taking a glimpse of all the wounded soldier, tears came into his eyes, and his facial expression was heartbreaking. The second came after he had no choice but to shoot Guifang in case she became the capture and was savagely abused. Tears was in his eyes and we sensed the deep sorrow and hatred in his heart. The last one came after the breaking out of the encirclement. After Pend left, he read the notebook on which the details of the combats had been clearly recorded, and he foresaw that they might never see each other again. Tears appeared in his eyes. He had lost almost all comrade-in-arms, but he knew that he should never surrender and must fight until the last minute of his life. The usage of closes-up focused on his facial expression and indicated his emotions, marking the progress of the story and functioning as symbols of each chapter. The structure was compact.The music was solemn and stirring. It created an atmosphere of combat and sacrifice.

悲哀啊《驚沙》！
一悲你那段塵封的歷史，多少紅軍戰(zhàn)士戰(zhàn)死在馬步芳部的鐵蹄下，守高臺(tái)，戰(zhàn)臨澤，游擊于風(fēng)雪祁連山，那白雪皚皚上，層層疊疊的是我們紅軍戰(zhàn)士的尸體，殷殷鮮血染紅了荒涼戈壁！
二悲你從此消逝的巾幗之旅，一千余女兵轉(zhuǎn)戰(zhàn)川陜甘屢立奇功，但在艱苦卓絕的西征路上，或英勇戰(zhàn)死，或屈辱被俘，之后就是飽受凌辱、殘害致死！
三悲你浴血悲歌，慘烈鏖戰(zhàn)，風(fēng)沙滾滾，蒿草殘陽(yáng)的歷史，真實(shí)質(zhì)樸的再現(xiàn)在電影里，卻不想被享福的后人嘲笑遠(yuǎn)不如美國(guó)大片的戰(zhàn)爭(zhēng)特技！
四悲你被俘吊起在敵人的帳篷里，被敵人玩弄強(qiáng)奸時(shí)還受辱不屈，奮力一搏，直到最后年輕赤裸的身體上鮮血淋漓，曾經(jīng)的活力從此逝去，卻不想被沉淪麻木的后人嘲笑愛(ài)國(guó)主義不應(yīng)賣(mài)肉！這是賣(mài)肉嗎？影片的鏡頭裸而不露，一點(diǎn)也不低級(jí)，真正低級(jí)的是這樣評(píng)論的人心！都只會(huì)爭(zhēng)著去看《色戒》，大談湯唯的性技；大陸不能上映《3D肉蒲團(tuán)》，好多人爭(zhēng)先恐后組團(tuán)去香港看首映禮；日本武藤蘭的假死就N多忘了祖的中國(guó)人拜祭，蒼井空開(kāi)個(gè)的博客就那么多中國(guó)人心有兮兮！現(xiàn)在笑這個(gè)殘酷的鏡頭就叫低級(jí)？我看這個(gè)電影，我觸痛于這樣的鏡頭，我看到的是我們的同胞的曾經(jīng)鮮活的身體被作為牛羊豬狗一樣光溜溜的吊起，靜靜的，靜靜的，毫無(wú)生氣。那一刻，我就好像看到南京大屠殺中那一車(chē)車(chē)同樣光溜而讓人震撼的尸體。這絕不是賣(mài)肉，是為了殘酷的真實(shí)！那個(gè)裸，裸得凄美，裸得讓人一看就想掉淚，如果評(píng)論“賣(mài)肉”的你也真的看過(guò)，卻有賣(mài)肉的感覺(jué)，只能說(shuō)，你的心本身就是齷齪的，無(wú)比低級(jí)！
五悲我泱泱中華大地，到處是炫耀I(xiàn)Q炫耀金錢(qián)邏輯混亂的所謂歐美大片，低級(jí)惡俗垃圾笑料拼湊的所謂賀歲喜劇，歌功頌德的歷史事件的流水賬似的所謂紅色電影。好不容易有這樣寫(xiě)實(shí)的歷史片，它只是選取了歷史的一個(gè)片段一個(gè)細(xì)節(jié)，甚至只是一個(gè)場(chǎng)景，但卻被人斷章取義為“為某個(gè)人歌功頌德”。我想起毛新宇計(jì)劃為奶奶楊開(kāi)慧拍攝一部電視劇一事，引發(fā)了記者們兩會(huì)期間的追逐采訪，甚至大家都忘記了他是作為政協(xié)委員來(lái)提如何“治淮”興修水利的。其實(shí)有什么好奇怪的，現(xiàn)在很多這個(gè)老一代革命家的后代，都參與了拍攝老革命家題材影視作品這個(gè)組織工作。因?yàn)橹挥兴麄兊母篙吷踔磷孑呎鎸?shí)的經(jīng)歷了那個(gè)年代。而歷史的一個(gè)片斷也不能展示出所有的人，否則就一定是七零八落，邏輯松散，什么也突出不了?？墒怯械娜司鸵欢ㄒ鶆e人頭上扣個(gè)“功利心”的屎盆子，佛說(shuō)“如果你看別人是屎，那你。。?！?br>六悲這樣值得不忘歷史還有點(diǎn)兒熱血的中國(guó)人看的一部電影的推出，不但沒(méi)有因?yàn)槭侵髁麟娪岸艿阶放?，反而因?yàn)闆](méi)有大牌明星沒(méi)有商業(yè)炒作沒(méi)有虛偽的互相吹捧而少有人問(wèn)津，據(jù)說(shuō)自三月中旬上映以來(lái)，很多地方的影院里只有零星的兩三個(gè)人看，今天才過(guò)四月頭，我很想看時(shí)，找遍大街小巷，偌大的廣州城就沒(méi)有上映這部戲的，有的甚至說(shuō)，沒(méi)有十個(gè)人看，當(dāng)然不播放啦。還有不少人在網(wǎng)上唱，“誰(shuí)讓他不去農(nóng)村播放啊？”這是個(gè)什么狗屁思想？其實(shí)現(xiàn)在很多京滬廣的人，心早就被歐美港臺(tái)給吃了去了，他們當(dāng)中有些人崇洋媚外甚至到了都想被八國(guó)聯(lián)軍殖民了去的地步。最需要看這樣的電影受這樣的教育的正是這批人！而這批人表示不愛(ài)看不好看，只能說(shuō)明我們社會(huì)太多都是貼著偽紅色標(biāo)簽和外衣的作秀，冠冕堂皇之下缺乏真正觸動(dòng)人心的愛(ài)國(guó)主義教育！這是十分危險(xiǎn)的！十分悲哀的！一切向“qian”看的今天，希望在思想上觸動(dòng)沉淪麻木的人，還真的很難。
本以為應(yīng)是悲壯，最后只落得個(gè)“悲呼哀哉”!我只能在網(wǎng)上下載個(gè)不清晰版，就當(dāng)是“清明時(shí)節(jié)雨紛紛，悼念先烈勇斷魂”吧。