"Dr. Cyclops" is known as one of the better "early sci-fi" films, made in '39 and released in 1940. (It is also in color.) But while the story has potential and there are some good moments, this is a very confused film. The plot is simple - crazy mad scientist on some remote island can shrink animals, and wants to try it on humans. He manages this on a scientific team that came to check things out. They get angry, and the crazy scientist eventually gets really angry because his new shrunken subjects won't cooperate. The thing is, the film doesn't seem to know if it wants to be a thriller, or a goofy movie. Dr. Cyclops (never called that but referenced to a Cyclops after one lens in his glasses breaks) looks cool in his "30's style sci-fi helmet" as he performs experiments and can be chilling at times. But there is so much "Disney-style goofy music" going on that it is hard to take anything seriously. The music belongs in a family comedy for the most part, and is played when the shrunken people do things like try to survive, and creep around the floor. Add that a few of them have pretty gruesome deaths and that just adds to the confusing atmosphere. The FX aren't so bad but nothing special. The giant sets built are pretty impressive though. There is a scene where little fires are tossed at a real crocodile's head which probably made animal activists angry. It also takes a long time for anything to really happen. This movie could have been done in a nice tight half-hour. Good for a viewing, but you probably won't watch again. The performance of the guy who plays Dr. Cyclops is definitely the main attraction.
近視眼的悲哀:40年竟然就能把景布得這么好了!不過這個在幽默與緊張之間不斷徘徊的作品有一個不小的缺點,一共才一個小時出頭的時間,竟然花了半個小時才進(jìn)入緊張的狀態(tài)。
劇情講真沒啥意思,但40年能做出這樣的效果真的很厲害
看過一些,映象不深咯,只對那個年代滴電影技術(shù)卻如此驚奇滴好感到吃驚……
3.5/5;沒想到是彩色片;倒是有點像動畫片;
看過留痕
本以為狗黨將大獲全勝…
場景好看
40年這特效算厲害了
大奇特說得對,流水線式逃亡劇情平庸寡淡,本質(zhì)更像技術(shù)電影。平心而論,特效按照當(dāng)年的標(biāo)準(zhǔn)來看確實蠻逼真,比例雖然算不上精確但至少沒太違和。最讓人印象深刻的是Dr. Cyclops用手抓住老教授然后用鑷子夾著碎布將其捂死的場景。這個年代的電影大概因為正處于科技爆發(fā)式發(fā)展的時期,所以探討科技危害及科技與人性間關(guān)系的題材不少,本片中的鐳輻射則似乎是恐核情緒的體現(xiàn)。
玩的挺開心的
遮光技術(shù)、分割畫面和實物模型
對那個年代來說特效相當(dāng)不錯
故事分明結(jié)合了「歌利亞傳說」、「杰克與豆莖」以及「格里佛歷險記」,技術(shù)和彩色攝影層面在當(dāng)時可謂突破,如今看來小兒科十足。
比《不可思議的收縮人》更早地使用了身體縮小的科幻概念,還是彩色電影。縮小的身體和周圍物品形成大小對比,人物在環(huán)境中的移動和影子凸顯出實景搭建的布景。相比于《收縮人》,這部片的思想性沒那么高,相通的地方在于縮小后的恐懼感,行動的不便,以及人在困境下迸發(fā)的智慧和勇氣。智慧的強(qiáng)大比體型的巨大更有價值。
古老的特效,又是玩元素輻射
note:小人國!
放在當(dāng)年這特效相當(dāng)牛逼了
除了深度無法比肩,本片的布景、特效和道具水準(zhǔn)幾乎可以和十多年后的《不可思議的收縮人》媲美,特別是本片還是一部早期的彩色電影。巨手模型和“巨人”墜落讓人感慨不愧是《金剛》的導(dǎo)演。不過影片過分強(qiáng)調(diào)縮小后的視覺奇觀,角色一味逃跑刻意回避變大話題,并且大量精簡臺詞,表演方式默片化舞臺化,使得之后的人物塑造完全失敗,動機(jī)與轉(zhuǎn)變完全是蒼白的
適合四年級以上男生初一以上女生觀看,40年代妥妥的商業(yè)大片
應(yīng)該可以算是縮小類的片子的先河吧,算術(shù)比較早的彩色片,超大號模型制作很棒。