1 ) The Age Of Not Believing ~~~
Tale as old as time, true as it can be. Like always, our story begins with Long long ago once upon a time in a faraway land. Our story ends with The prince and princess live happily ever after. Except......
The young and handsome prince, who lived in a shining castle and had everything his heart desires, was extremely spoiled, selfish and unkind. On a winter's night, an old beggar woman came to ask for shelter from the bitter cold and offer him a single rose. Repulsed by her haggard apperance, the prince sneered at the gift and turned her away. The old woman warned him not to be judge by cover for beauty is found within. But still, he dismissed her again. Suddenly the ugly woman turned into a beautiful enchantress. The prince tried to apologize, but it was too late, for she had seen that there was no love in his heart. As punishment, she transformed him into a hideous beast and cast a spell on the castle and all those who lived there. The rose she had offered was actually enchanted, which would bloom until the prince's 21st birthday. If he could learn to love another and earn her love in return by the time the last petal fell, then the spell would be broken. If not, he would be doomed to remain a beast forever. Ashamed of his monstrous form, the prince concealed himself inside the castle, with a magic mirror as his only window to the outside world. As time passed by, he fell into despair and lost all hope. For who could ever learn to love a beast?
It's not some cinderella romance, where the prince loves the poor but pretty girl at first sight and a fairy godmother saves her from misery...It's also not some Romeo & Juliet tragedy, where two young hearts fall for each but tored apart because of their family hatred...It's not snow white. It's not sleepling beauty. It's not little mermaid. Above all, it's the prince to be rescued...
In an ordinary provincial, there lived a peculiar girl Belle, who happened to be our leading lady. She's different from the others, with a dreamy and far-off look and her nose stuck in the fairy books. No wonder that her name means beauty, for her fair facade has got no parallel. That could be a gift but a nightmare on th other side. Because some boorish and brainless muscled brute Gaston set his mind to marry her although she turned him down flatly. He thought himself deserve the best equally the pretties. She's nothing like other girls, who would worship and kill to be his little wife. It's certainly not a pity and a sin that she doesn't fit in. Because she wants more, more than this life. Because she wants adventure, more than what's planned.
Her papa, the inventor, genius in her opinion, crazy in the others', went to some invention fair one day. But he was lost in the woods and hunted by the wolves. He ran into the castle accidentally for help because he was ice cold and sick frightenedd. No idea of being in an enchanted castle, he was greeted by Lumiere the magic candle, Cogsworth the magic clock, Mrs Pottsthe and his son the magic tea pot and cup...Just then, the master showed up and was furious to find some stranger in his castle. He imprisoned the old man in the dungeon for his breaking and entering. Seeing her papa's horse return alone, Belle believed something terrible must have happened. She followed papa's route into the woods and discovered the castle. Belle found her papa captured by a horrible monster, with ugly snout and sharp fangs. She begged him to let go of her father and promised to do anything in return. At last they made the deal that she would take her papa's place to be the prisoner.
It's like one drop into the once-and-for-all tranquille lake. Belle's arrival has been quite something new. All servants including the master himself all believe that she could be the girl to break their spell. However things didn't go well as planned. The beast was not only scary outside but also mean to Belle. Belle was so scared and desperate that she not only lost her father and her dream suddenly but also had to spend the rest of her life there with a monster. But the servants are very hospitable and sincere. They came to help the sympethetic girl and treat her as their honored guest with warm tea, nice outfits, delicious dinner, magnificent music, et cetra. It's a magical castle with enchanted characters, figured out by Belle. She was exciting but intimidating still. She walked into the west wing knowing it's forbidden and wondering what the beast had been hiding. Of course the beast found out. He flew into rage and cast her away. Belle was so frightened that she fleed out the castle with no return. But she was attacked by a bunch of cruel wolves on the running. Just then, the beast appeared and saved her life like a hero although himself was badly injured.
There maybe somthing there that wasn't there before. Perhaps they just never ever thought that this could be happening. He was coarse and unrefined but now so sweet and deer. He sparked her interests by offering a mountain-like library full of books. He invited her to the dinners and behaved like a gentleman. They went skating hand in hand, they enjoyed dancing arm by arm. A bit alarming still, but Belle doesn't see him as anything but a beast anymore. With a few days more, there maybe something there that wasn't there before.
Then came the hightlight. When everything was under control and other spectators all believd it is time, Belle revealed the secret that she had been missing her papa so much and wanted to go back home. The beast was reluctant inside, but he wasn't selfish anymore because he finally began to love someone and care for someone more than himself. He loves Belle and the only thing he could do for her is to let her go. Maybe there was hope, but now it is gone, gone with the girl who could break the spell. When Belle returned to the village, she found her papa was sentenced to be insane because he told the scandal that her daughter was locked up by a monster. Belle knew it was Gaston' plot for wooing and marrying her by force, if not, her papa would be sent into asylum. Belle showed people the mirror which reflected the beast. It was a parting gift from the beast. Belle told them that he was not scary or harmful but kind and deer. Gaston found out that Belle had feelings for such a monster and he could't bear it at all, for how could such a monster have Belle's heart when she could have someone like himself. He was jealous and vicious. He gathered the villagers with arms and was determined to kill the beast. The beast was in despair and fell out of love. Gaston stabbed him but he seemed to have lost all the power to live anymore.But seeing Belle's returning, he suddnely became himself, stong and undistructable. He lifted Gaton up in the air and warned him if he ever came here again. Gaston was despictable and stabbed the beast at heart withhout noticing. After a huge fight, the crowds were defeated by the enchanted servants and Gaston fell from the felony. The beast was dying with Belle on his side. She's crying, crying for someone she loves. He's happy and contented because the love of his life had returned for his sake. Still it's too late...Isn' it?
Three words eight letters. Say it and poof. Break the spell...
Just before the last petal of the enchanted rose fell, just before the beast died, Belle said the magic words. Poof! Suddenly the dying beast was transforming into a young and handsome prince, while the dark and doomed castle was shining and glowing. It's miracle. It's magic. It's the power of love. It's the wish coming true.
Certain as the sun, rising in the east...Tale as old as time, song as old as ryhme...Beauty and the Beast...
Still it's a happily ever after ending. Still it's Disney making our dream coming true. The fairy has been retelling over generaitons while used-to-be children have becoming parents-to-be. Why couln't we just let go of something so childish, so surreal, so unbelieale? Because it's what our hearts want, it's the happily ever after we want, it's the beauty and love we want. There maybe somthing there that wasn't there before. Perhaps there is something beautiful there that hadn't been seen there before.
When we have rushed around in hopeless circles, searching everywhere for something true, we are at the age of not believing, when all the make-believe is true.
When we have set aside our childhood heroes and our dreams are lost upon a shelf, we are at the age of not believing, and worst of all we doubt ourselves.
We are castaway where no one hears us on a barren isle in a lonely sea. Where did all the happy endings go? Where can all the good times be?
We must face the age of not believing, doubting everything we ever knew, until at last we start believing there is something wonderful in ourselves.
2 ) 拒絕一本正經(jīng)地談道理
這個(gè)故事再次勾起了我的少女心。
它是一部童話(huà)電影,它告訴了我們這個(gè)世界上最為真善美的的東西。
大抵童話(huà)都是美好的,讓人為之感動(dòng)的,它的美好在于它給了我們一個(gè)遠(yuǎn)離這個(gè)世界的假惡丑的時(shí)間,讓我們沉醉在這些最簡(jiǎn)單,最純潔的故事里。
也許,它會(huì)在某些方面略顯不足,比如它的制作技術(shù)、人物設(shè)計(jì)。但它所呈現(xiàn)出來(lái)的故事內(nèi)涵卻一定是讓人為之動(dòng)容的,它能夠觸動(dòng)我們內(nèi)心深處最柔軟的一塊地方,讓我們相信這個(gè)世界還是很美好的。
我想這也是經(jīng)典童話(huà)電影的魅力所在吧!
3 ) 猜猜這部動(dòng)畫(huà)歌舞電影的平權(quán)意識(shí)超前了多少年?
迪士尼終于開(kāi)始探討起如何維持和培養(yǎng)健全的感情關(guān)系——相互尊重,彼此包容
本文是迪士尼公主電影評(píng)測(cè)系列的第五篇文章。
這次終于輪到了本人最喜歡的三部迪士尼公主電影之一的「美女與野獸」(另外兩部為「魔發(fā)奇緣」與「海洋奇緣」)。無(wú)論是出于電影質(zhì)量還是個(gè)人趣味,這部電影可能是目前第一部個(gè)人全程不會(huì)在文章中指責(zé)其缺點(diǎn)的電影(想想之前就連「小美人魚(yú)」都被我挑過(guò)骨頭……)
個(gè)人喜愛(ài)這部電影主要是出于以下三個(gè)原因:
- 超高的音樂(lè)質(zhì)量
- 至今仍有啟示意義的人物塑造
- 對(duì)于情感關(guān)系的深入探討
其中第二點(diǎn)和第三點(diǎn)相輔相成,使得這部電影在骨子里實(shí)際上表達(dá)了一個(gè)關(guān)于平權(quán)的故事。令人惋惜的是,這部電影在約三十年前所隱藏的平權(quán)意識(shí)是如此超前,以致于時(shí)至今日依舊對(duì)大眾平權(quán)觀(guān)念的覺(jué)醒具有重大作用。
接下來(lái)我將從個(gè)人喜歡這部電影的三個(gè)原因展開(kāi)談?wù)劄槭裁催@部電影是如此深得我心以致于讓人不忍對(duì)其苛責(zé)求全:
群舞挑大梁,主角干演戲:重心轉(zhuǎn)移但質(zhì)量依舊的音樂(lè)
上篇文章提到,Alan Menken的加盟讓迪士尼公主電影正式走向了音樂(lè)劇化之路,而本作當(dāng)然也不能免俗。相比于前作「小美人魚(yú)」,本片在音樂(lè)上最大的亮點(diǎn)在于群唱曲目的大量引入:影片開(kāi)場(chǎng)的「Belle」從普通村民的視角向我們介紹了這個(gè)生在法國(guó)普通小鎮(zhèn)、靈魂卻不甘平庸的美麗女孩貝爾(迪士尼公主電影中第一位非原生“公主”);由加斯頓的小跟班來(lái)福和酒吧烏合之眾出演的「Gaston」則讓觀(guān)眾領(lǐng)略了一個(gè)徹徹底底的男權(quán)癌的生活情趣和價(jià)值取向是多么的庸俗無(wú)趣;當(dāng)貝爾和野獸的關(guān)系跌至冰點(diǎn)時(shí),城堡中的仆人們好心為她準(zhǔn)備了一桌盛宴,「Be Our Guest」讓我們看到了仆人們被冰冷的詛咒所封藏了十年的蓬勃熱情。在這三首主要作品之外,加斯頓利用烏合之眾的群情激憤圍攻野獸城堡時(shí)的「Mob Song」則是「Be Our Guest」的變奏版,同樣是表現(xiàn)內(nèi)心激動(dòng)和狂熱的曲子,在不同的唱詞和演唱群體之間卻演繹出了截然不同的兩種風(fēng)格;城堡眾仆人所演繹的另外一首「Human Again」則是在最終決戰(zhàn)之前將美女與野獸即將修成正果的期盼推到了最高潮。
群唱曲目的加入讓本作中正反兩方(城堡 vs. 鄉(xiāng)鎮(zhèn))的角色都增色不少,從而使得故事設(shè)定并不宏大的本作在世界觀(guān)的充實(shí)程度和觀(guān)眾代入感的營(yíng)造上要比魔幻氛圍十足的「小美人魚(yú)」還要高出一截。由于筆墨在群像的勾勒上潑灑得太多,音樂(lè)上余留給男女主角兩人的分量便相應(yīng)減少了不少。本作是迪士尼公主中唯一一個(gè)沒(méi)有自己solo角色曲或是男女對(duì)唱主題曲的角色(就連青蛙公主蒂亞娜都有一首一點(diǎn)也不公主風(fēng)的「Almost There」,以及在片中并未唱歌的梅莉達(dá)也可以將主題曲充作自己的角色曲在迪士尼樂(lè)園的表演中登場(chǎng))。
盡管以一部普通電影的視角來(lái)看,男女主有沒(méi)有自身角色曲問(wèn)題不大,但作為音樂(lè)劇——尤其是迪士尼的音樂(lè)劇而言,角色歌的有無(wú)對(duì)于后續(xù)的衍生作品和整合營(yíng)銷(xiāo)的開(kāi)發(fā)便利程度與成功概率可謂是最為關(guān)鍵的影響因素——「冰雪奇緣」是最成功的正面典型,而上述提到的反面典型則是角色歌曲風(fēng)大眾化程度較低(爵士風(fēng))的青蛙公主蒂亞娜(盡管存在膚色因素,但反觀(guān)作為黃種人的花木蘭和寶嘉康蒂單是憑借著「Reflection」和「Color of the Wind」大殺四方)。正因如此,后續(xù)的同名音樂(lè)劇中為貝爾和野獸都新增了各自的solo曲——「Home」「If I Can't Love Her」,這也讓男女主角的人物設(shè)定和情感動(dòng)機(jī)都豐滿(mǎn)了不少。當(dāng)然,這些都是后話(huà),但我們應(yīng)該看到:缺少相關(guān)人物角色歌的情況下,本片依然將雙主角結(jié)構(gòu)下的貝爾和野獸演繹得深入人心,這不得不歸功于本片在超前平權(quán)意識(shí)的領(lǐng)導(dǎo)下出色的角色塑造功力。
互為相生,彼此蛻變:成功的雙主角塑造
在上篇「小美人魚(yú)」的評(píng)測(cè)文章中,我個(gè)人對(duì)于艾力克王子頗有微詞,盡管后來(lái)在評(píng)論區(qū)中有同好列舉了片中表現(xiàn)艾力克高尚品行的一系列片中細(xì)節(jié)來(lái)證明王子其實(shí)是個(gè)好人,但我個(gè)人觀(guān)影過(guò)程中對(duì)王子的疏離感或多或少還是證明了:在上部公主電影中,迪士尼在王子內(nèi)在情感動(dòng)機(jī)的塑造上所下的功力仍次于公主一檔(上一個(gè)玩王子救公主橋段的電影是「睡美人」,最后大暴死了),從而讓觀(guān)眾對(duì)于這一刻畫(huà)深度不對(duì)等的兩人結(jié)合產(chǎn)生了不適感。
而在本片中,從片名就可以看出迪士尼這次玩了一發(fā)大的——雙主角設(shè)計(jì)在公主片中尚屬首次(嗯,雖然「睡美人」里是三女主——三位仙女),所以我們?cè)陔娪爸泻苄牢康乜吹健肮鳌焙屯踝荧@得了史無(wú)前例的同等刻畫(huà)。在兩位主角之外,對(duì)于反派的塑造也讓這位外表英俊、內(nèi)心齷齪的男權(quán)癌加斯頓深入人心。因此,三位角色之間的情緒碰撞讓本片的人物關(guān)系張力在公主系列電影中達(dá)到了少有企及的地步。
本片中在人物塑造中最為令人稱(chēng)贊的一點(diǎn)是——本片對(duì)于人物深層心理動(dòng)機(jī)的觸探,已經(jīng)達(dá)到了皮克斯中期電影的水準(zhǔn)。不同于前四部公主電影中公主的角色動(dòng)機(jī)大多出于物理上的禁錮和對(duì)真愛(ài)的渴望,本片將「禁錮」/「自由」的討論范圍聚焦到了精神層面之中。
對(duì)于貝爾而言,她只是一個(gè)普通法國(guó)小鎮(zhèn)的喜歡看書(shū)、熱愛(ài)精神世界勝過(guò)現(xiàn)實(shí)世界的普通村姑,如果按照以往的公主電影,頂多會(huì)給她安排一個(gè)追求愛(ài)情小說(shuō)中所描繪的真愛(ài)的癡女設(shè)定——和「小美人魚(yú)」中艾莉爾因?yàn)槭占祟?lèi)造物而對(duì)人類(lèi)王子產(chǎn)生了情愫的套路差不多。然而,本片在第一首「Belle」中,便將重點(diǎn)放在了她愛(ài)讀書(shū)的個(gè)性和其他鎮(zhèn)民對(duì)她的誤解和質(zhì)疑上,用第一印象讓觀(guān)眾看出,這位“公主”的困頓和憧憬與以往的公主截然不同:她在生活中不斷遭遇著對(duì)她生活方式和畢生追求的不解和譴責(zé),她所追求的也并不是真愛(ài),而是精神上的獨(dú)立和滿(mǎn)足。在音樂(lè)劇中,為貝爾新增的「Home」這首主題曲將她這一個(gè)性與境遇剖析得更為深刻(在此請(qǐng)?jiān)试S我做一次自來(lái)水:強(qiáng)烈推薦有興趣的各位去上海迪士尼看一看中文版「美女與野獸」音樂(lè)劇,這是我個(gè)人目前所看過(guò)的最優(yōu)秀的中文音樂(lè)劇沒(méi)有之一,花兩頓飯的錢(qián)買(mǎi)張200的票絕對(duì)不后悔~)
即使是在今天,現(xiàn)實(shí)生活中這樣一位女性所遭遇到的情景也并沒(méi)有比貝爾在遇見(jiàn)野獸之前的境遇好上多少:當(dāng)今天朝主流社會(huì)中,二三線(xiàn)城市乃至更往下的人群聚集地中,隨處可見(jiàn)毫不在意女性的精神追求與自我實(shí)現(xiàn)的家庭。對(duì)于女性而言,只要能夠找到男人成個(gè)家便算是完成了兩項(xiàng)人生必答題之一,至于生育則更是人生的頭等大事——甚至于對(duì)男性也是如此,“當(dāng)官發(fā)財(cái),成家生子”四個(gè)字便可概括大多數(shù)普通家庭對(duì)自家男孩的人生要求。片中加斯頓向貝爾“求婚”時(shí)所設(shè)想的“美好家庭圖景”恐怕也與當(dāng)今大多數(shù)普通父母對(duì)于自家女兒的未來(lái)構(gòu)想并無(wú)二致。
因此,本片在1991年就刻畫(huà)了一個(gè)這樣“離經(jīng)叛道”的貝爾,其意識(shí)之超前以及意欲利用本片對(duì)下一代的意識(shí)形態(tài)進(jìn)行潛移默化的影響來(lái)改變社會(huì)對(duì)女性的固有期盼的“野心”之大可見(jiàn)一斑。
另一方面我們?cè)僬務(wù)勀兄?。野獸是迪士尼公主電影中第一位晉升為主角的王子形象。對(duì)于身為主角的角色而言,一大潛規(guī)則便是:自身需要在電影中完成自身的成長(zhǎng)與升華。普通配角也許也需要體現(xiàn)自身成長(zhǎng),但對(duì)主角而言,這一成長(zhǎng)必須是肉眼可見(jiàn)并能對(duì)劇情產(chǎn)生極大推動(dòng)作用。野獸便是3D時(shí)期之前迪士尼公主電影中為數(shù)不多的幾個(gè)將自身變化體現(xiàn)得最為深刻的男主之一(當(dāng)然此處不是單指野獸變?yōu)槿松淼耐庑巫兓玻?。在影片開(kāi)端,便快速交代了野獸由于其個(gè)性的頑劣與以貌取人受到了仙女的懲罰。在故事前半部分的大部分時(shí)間中,野獸也依然是個(gè)不懂得控制自己的脾氣、不知道尊重他人的極端自我中心者。但在他內(nèi)心仍然存在某些善良的部分,通過(guò)與貝爾的相遇和后續(xù)的一系列機(jī)緣巧合,野獸心中善良的一面得以被激發(fā)出來(lái)(在狼群中拯救貝爾),從而獲得了貝爾的接納,并在精神較為成熟的貝爾的幫助下完成了自身心理的完善與人格的健全。
兩個(gè)角色在緊湊劇情的推動(dòng)下,一個(gè)依靠野獸從物質(zhì)的禁錮中得以解脫、體現(xiàn)出自己精神層面的價(jià)值,一個(gè)依靠貝爾從精神的禁錮中發(fā)現(xiàn)自己殘留的善良、最終完成人格上的蛻變。這樣出色的設(shè)定可以說(shuō)是后續(xù)多部迪士尼電影都難以企及的高度,因此本片在角色塑造方面實(shí)在是值得本人為其一大吹。
讓迪士尼爸爸教你談戀愛(ài):彼此尊重的情感關(guān)系之道
正如本文的標(biāo)題所提到這部電影具有超前的平權(quán)意識(shí),這部片子可以用一個(gè)關(guān)鍵詞來(lái)形容——「尊重」。
而情感關(guān)系中尊重的重要性——乃至對(duì)于維持和培養(yǎng)親密關(guān)系的諸多要素的討論,在以往的公主電影片中往往被完全無(wú)視:公主和王子只要看對(duì)眼了,就一定能夠克服困難最終實(shí)現(xiàn)“Happily Ever After”,至于感情如何維系、兩人扶持,似乎導(dǎo)演們從來(lái)不覺(jué)得是做著公主夢(mèng)進(jìn)入電影院的小朋友們需要考慮的問(wèn)題。
而在「美女與野獸」中,迪士尼終于開(kāi)始探討起如何維持和培養(yǎng)健全的感情關(guān)系——相互尊重,彼此包容。
上面提到,野獸在貝爾的幫助下發(fā)掘內(nèi)心的善良面從而最終實(shí)現(xiàn)了人格的健全。實(shí)際上,兩人關(guān)系的建立離不開(kāi)彼此之間的相互尊重:貝爾尊重野獸丑陋的外表,放在自己的戒心和他接觸(實(shí)際上,貝爾也的確是在被野獸所救、發(fā)現(xiàn)了他內(nèi)心的善良后才對(duì)其敞開(kāi)心扉);而野獸尊重被普通鎮(zhèn)民所認(rèn)為是怪胎的貝爾,還滿(mǎn)足她的精神需求向她提供藏書(shū)無(wú)數(shù)的書(shū)房。
而反派加斯頓則是對(duì)「尊重」這一關(guān)鍵詞相對(duì)于男主野獸的一體兩面的注腳。對(duì)于加斯頓而言,女性對(duì)他的意義和當(dāng)今大多數(shù)男權(quán)癌無(wú)異:相夫教子,延續(xù)后代。在他的眼中,愛(ài)情意味著單純的占有——而這恰恰是野獸在第一次遇見(jiàn)貝爾時(shí)所試圖做的——對(duì)方的精神追求和個(gè)人尊嚴(yán)完全不需要顧及,這才有片頭加斯頓前腳向貝爾表白后腳就當(dāng)著貝爾的面和來(lái)福一起嘲諷其父親一幕。令人唏噓的是,加斯頓作為如此一個(gè)情感關(guān)系中的最佳反面教材,在當(dāng)今社會(huì)依然隨處可見(jiàn)各類(lèi)活體再現(xiàn),這不得不說(shuō)是當(dāng)今社會(huì)的悲哀,同時(shí)又是本片超前的平權(quán)意識(shí)的體現(xiàn)。
盡管脫胎于真實(shí)的法國(guó)民間故事,本片所潛藏的教育意義早已不局限于“不可以貌取人/真愛(ài)不看外表”上。本片在迪士尼影史中的高遠(yuǎn)之處在于:它真正將“人”的重要性在影片中拔高到了史無(wú)前例的高度,從而為迪士尼公主影史的文藝復(fù)興乃至于迪士尼在20世紀(jì)末期騰飛的黃金時(shí)代增添了最為閃耀的一筆。
4 ) 迪士尼系列都超可愛(ài)的啊
迪士尼動(dòng)畫(huà)的套路其實(shí)一點(diǎn)也不新穎,但是畫(huà)面很好看我還是很吃的。
貝兒美麗善良卻不合群,野獸看似兇惡卻被貝兒感化。這部電影其實(shí)不單單在看她們的故事,里面其實(shí)有很多有趣的場(chǎng)景設(shè)計(jì),會(huì)說(shuō)話(huà)的茶杯、會(huì)走路的蠟燭、會(huì)自己打開(kāi)的衣柜,這些都很有趣,尤其是后來(lái)知道他們都是受了詛咒變成家具的仆人,只有主人解除詛咒他們才能變回人,更覺(jué)得他們各種助攻很是可愛(ài),最后雖然受了點(diǎn)小波折,但是貝兒的眼淚還是給野獸解除了詛咒,最后happy ending??
5 ) 美好的童話(huà)能叩開(kāi)緊繃的心
過(guò)去很長(zhǎng)一段時(shí)間里心都變得沉重,事情總是看到負(fù)面,想前后關(guān)聯(lián),想它的背景和緣由。在自已身上看到更多的是自己的不足和對(duì)外界的批判。
自作聰明的以為自己看事情能夠透徹真切,實(shí)是小聰明。
計(jì)算安排和鋪就的道路,算來(lái)算去真的有那么有用嗎?遠(yuǎn)不見(jiàn)得,卻失掉了自己的本心,沉重而緩慢。
周密的計(jì)劃終究趕不過(guò)一個(gè)小巧的變數(shù),失掉純真和美好的愿望,就像失掉了美麗的祥云。
看童話(huà)的感動(dòng),是一場(chǎng)救贖。
王子借助野獸的身體完成了愛(ài)的救贖,美女借由單純完成了不甘平靜的救贖。我該放下層層的戒心,放下批判的意念,才能把童話(huà)的溫柔放進(jìn)心里,把心底的溫暖救贖在緊繃的心上。
6 ) 我希望野獸不是王子
小時(shí)候覺(jué)得貝兒對(duì)野獸的愛(ài)很神奇也很不可思議,就像聊齋志異里那些奇異的愛(ài)情一樣,是超越世俗的。而野獸對(duì)貝兒的愛(ài)卻被我忽略了。其實(shí)野獸愛(ài)貝兒是很正常的,雖然形如野獸但心還是人心,更何況貝兒還是個(gè)大美女。但是,在整個(gè)故事中心靈最糾結(jié),最讓人心疼的一直都是野獸。有人會(huì)說(shuō)他是自作自受,他自私又魯莽,但他的性格難道比加斯頓還要壞嗎?就像貝兒所說(shuō)的,她認(rèn)為加斯頓才是真正的野獸,因?yàn)樗粌H魯莽,還虛偽,虛偽可是比魯莽還要嚴(yán)重百倍的。
所以說(shuō),王子變成野獸,其實(shí)是含有一些機(jī)遇在里面的,如果沒(méi)有這個(gè)詛咒,他怎會(huì)遇到此生的摯愛(ài)?但那時(shí)候的他是不知道自己的結(jié)局的。他撕破了自己的畫(huà)像,把鏡子打成碎塊,沒(méi)有人陪伴的住在陰暗城堡里10年之久。他一定是在等一個(gè)女孩來(lái)解救他,但他對(duì)此的希望幾乎為零。因?yàn)樗?,沒(méi)有哪個(gè)女孩會(huì)愛(ài)他這副可怕的樣子。而在貝兒出現(xiàn)之后,真正的掙扎才開(kāi)始。如果說(shuō)在貝兒出現(xiàn)之前的那十年他是在逃避自己的自卑,那這個(gè)命運(yùn)即將改變的時(shí)機(jī),就是迫使他去回到燈光下正視自己,他只有接受了自己,才能夠真正打動(dòng)貝兒的心。所以他改變脾氣,變得紳士溫柔,甚至為了貝兒開(kāi)心而去喂小鳥(niǎo),原本看起來(lái)兇猛可怕的野獸突然間變成了羞澀含蓄的紳士,這反差萌讓我突然間對(duì)野獸產(chǎn)生了從未有過(guò)的好感。
再后來(lái)當(dāng)離解除詛咒還有最后一步的時(shí)候野獸同意讓貝兒回家照顧父親,在這里野獸的目的才從被愛(ài)轉(zhuǎn)變成了去愛(ài),并寧愿犧牲自己成全所愛(ài)之人,但是從這里玫瑰花還未停止凋謝可以看出貝兒只是對(duì)野獸改變了以前的看法卻并沒(méi)有真正愛(ài)上野獸,而她真正愛(ài)上野獸應(yīng)該是在最后野獸和加斯頓搏斗的時(shí)候。所以,野獸的愛(ài)似乎比貝兒的還要長(zhǎng)久和深刻一些。
但是長(zhǎng)久以來(lái)我一直對(duì)野獸最后變回王子感到不舒服,說(shuō)實(shí)在的我更喜歡他野獸時(shí)候的樣子。如果說(shuō)野獸從來(lái)就不是王子呢,如果他一直就是野獸,我反而覺(jué)得這童話(huà)會(huì)更美一些,到這也是我個(gè)人的想法吧。
本來(lái)以為那種分鏡都照抄的翻拍只有中國(guó)有哦,照這個(gè)翻拍法真人版的劇本那我也能寫(xiě)了,不就是把原作臺(tái)詞復(fù)制一遍再添兩句廢話(huà)嗎
在別的孩子渴望著王子的時(shí)候,我卻已經(jīng)在幻想我的野獸
看過(guò)很多遍,非常喜歡,尤其貝兒在城堡吃飯已經(jīng)加斯頓帶領(lǐng)小鎮(zhèn)人攻打城堡的那場(chǎng)戰(zhàn)爭(zhēng),刀叉將非常有創(chuàng)意。
倒背如流了。。。
LGBT感非常強(qiáng),最后有種gay和les弄死直男癌,形婚一直幸福下去的錯(cuò)覺(jué)……
一個(gè)不合群、古怪、愛(ài)閱讀的貝兒一直是我最?lèi)?ài)的迪士尼公主。公主們大都是被解救的,在那個(gè)年代作品卻有貝兒去救野獸。(雖然愛(ài)麗兒在先,但小美人魚(yú)的愛(ài)情故事卻沒(méi)有這樣細(xì)膩。)而野獸的愛(ài),不僅僅是一座美麗的圖書(shū)館,是為了愛(ài)可以放棄自己被解救的機(jī)會(huì)。很希望能現(xiàn)場(chǎng)看一次改編音樂(lè)劇啊。
最浪漫的片子之一~野獸擁著bell跳舞那一刻~美呆了~歌也很經(jīng)典~
野獸王子才是迪斯尼一干王子里最帥噠!秒殺娘炮王子們幾萬(wàn)條街!
人獸情未了+爸爸去哪兒。
坐等真人版擴(kuò)展成兩個(gè)小時(shí)。
如同《人類(lèi)簡(jiǎn)史》所說(shuō),人類(lèi)演化到了一個(gè)足夠復(fù)雜的程度,以至于在人類(lèi)的生理基礎(chǔ)上所產(chǎn)生的可能性幾乎是無(wú)限的。各種文化都是可能性,人類(lèi)的價(jià)值觀(guān)也是五花八門(mén)。貝爾是我看過(guò)的最有魅力的迪士尼公主,其她人往往有不成熟,需要開(kāi)導(dǎo),有一個(gè)成長(zhǎng)的過(guò)程,但是貝爾有一種卓絕的識(shí)見(jiàn)和如同大海般的平靜。
我愛(ài)你,你在我眼里就是美好的,即使你是一頭野獸,心靈的美好才是最美好的。
相比真人電影,這部無(wú)論從題材立意或任何角度看,都相差甚遠(yuǎn)!而且多年前的動(dòng)畫(huà)技術(shù)和現(xiàn)如今的迪士尼動(dòng)畫(huà)比真的有些差距!不過(guò)電影還是繼承了迪士尼的歌舞幽默風(fēng)!這部電影只能算一般!
有人認(rèn)為愛(ài)是性,是婚姻,是清晨六點(diǎn)的吻,是一堆孩子,也許真是這樣的,萊斯特小姐。但你知道我怎么想嗎,我覺(jué)得愛(ài)是想觸碰又收回手。 ——塞林格《破碎故事之心》
我又看哭了?。。?!玻璃心沒(méi)得救了!!絕對(duì)的經(jīng)典啊?。‰m然迪士尼動(dòng)畫(huà)的劇情是個(gè)什么尿性閉著眼睛都能猜出來(lái),但我還是哭了!?。?!經(jīng)典之所以經(jīng)典就在于即便劇情你已經(jīng)耳熟能詳?shù)赐赀€是會(huì)感動(dòng)的一塌糊涂??!野獸好萌好招人喜歡!!!干嘛不就讓美女和野獸那樣幸福生活下去呢?干嘛變成王子?。?/p>
2011.09.08 我愛(ài)小茶杯,=3=。這故事是說(shuō),只要女人完美、男人怎樣都可以成就圓滿(mǎn)愛(ài)情。2017.03.20 比讓.谷克多的版本故事更完整流暢,貝爾更英氣一些。
沒(méi)有愛(ài),活著便是一種折磨。而我的愛(ài),因你而等待,如果你再不出現(xiàn),我長(zhǎng)久的等待便要凋零,我也會(huì)隨之死去。所以,如果可以,請(qǐng)你快些來(lái)到我的身邊。
音樂(lè)真是好美啊,給孩子看的童話(huà)故事。3D重映今年真是鋪天蓋地啊,2月還有星戰(zhàn)。
女文青拒嫁直男癌,一心只愛(ài)丑男霸道總裁
重看兼首次看原版,其實(shí)說(shuō)到底講的是局外人故事,于是片子里一旦出現(xiàn)"大多數(shù)"的時(shí)候就特別能感受到制作者的厭惡。