西路軍征戰(zhàn)河西，太慘烈。想二十年前，我還去過高臺，可惜年少不識愁滋味，不懂得西路軍的歷史，更不知道長征后的外祖父跟著徐向前的西路軍就蹣跚在河西走廊，九死一生！

角色塑造和故事情節(jié)比剛看的《殲十出擊》要好很多，但戰(zhàn)斗場面的細節(jié)還是很有問題，煙火、特效、戰(zhàn)術動作、子彈供應——其實開篇都說了，韓為了搞到兩三千發(fā)子彈，不慎上了馬匪的當，使幾名紅軍犧牲，差點兒受處分，可見西路軍的捉襟見肘。但是雙方一開火，機動性極強的馬家軍也沒攜重武器，秦基偉部倒還有幾挺重機槍，卻到處是火藥炸點。這是國產(chǎn)戰(zhàn)爭片的通病。

片尾歌功頌德意味太明顯。不過，無數(shù)先烈的奮不顧身，太值得今天去倍加珍惜。

票價只十元。我?guī)缀醢鼒觯@是最悲哀的。

片中插曲配樂是關峽的《軌道》，熟稔，激動。鋼鐵的意志鋼鐵漢，百戰(zhàn)百勝美名傳。

主題曲更動人。《化作星辰伴隨著你》一出，默默淚流。

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昨天的風　昨天的雨

昨天血染的戈壁

今天的天　今天的地

今天高揚的國旗

不要說我已倒下

看不到黎明的晨曦

不要說我已離去

聽不到勝利的樂曲

 

啊　我看到了　你已傲然站起

啊 我聽到了　你在自由呼吸

 

來　來　來　來　來吧

來　來　來　來　來吧

我們集合　我們集合

我們集合　我們集合

去參加祖國生日的賀禮

 

來　來　來　來　來吧

來　來　來　來　來吧

我們出發(fā)　我們出發(fā)

我們出發(fā)　我們出發(fā)

鏗鏘的腳步　鏗鏘的腳步

鏗鏘的腳步　鏗鏘的腳步

驚天撼地　驚天撼地

 

昨天的風　昨天的雨

昨天血染的戈壁

今天的天　今天的地

今天高揚的國旗

親愛的　我不會倒下

化作星辰伴隨著你

親愛的　我絕不離去

永遠守衛(wèi)你精神的高地

 

啊　我看到了　你正傲然崛起

啊　我聽到了　你在長空搏擊

 

來　來　來　來　來吧

來　來　來　來　來吧

我們集合　我們集合

我們集合　我們集合

鑄成祖國剛健的軀體

 

來　來　來　來　來吧

來　來　來　來　來吧

我們出發(fā)　我們出發(fā)

我們出發(fā)　我們出發(fā)

像驚沙呼嘯　像驚沙呼嘯

像驚沙呼嘯　像驚沙呼嘯

狂飆萬里　狂飆萬里

  


 

我一直對我們國家的很多電影獎，抱有極大的懷疑。

這部電影中，有很多始終不明白的事情：
1、片名是神馬意思？
2、那對兄妹的感情，太曖昧了。
3、……
太多了，我都記不住了。

我常常責備自己，沒什么審美，因為我始終都欣賞不了主旋律電影。
就愛娛樂片。

導師特別善良的說，戰(zhàn)爭場面拍得還行。

作為看著美國電影長大的人，我實在找不出可以和美國電影戰(zhàn)場場面較量的地方。

好吧，我比較不厚道。

基本符合歷史事實，比較客觀。
戰(zhàn)爭的殘酷表現(xiàn)得淋漓盡致，沒有過分的夸大和粉飾，比同類的國產(chǎn)戰(zhàn)爭片要好太多！?。?！

這個電影很主旋律，但是如果是為了弘揚主旋律，就不會拍馬步芳的題材了。這段歷史被有選擇的忽略，出版的書和影片很少，西北軍的故事大多流傳在坊間，被正史淡忘也就漸漸被人遺忘。能拍成電影，一定環(huán)境下必須得又紅又專。

這場戰(zhàn)斗的實質(zhì)是兩股力量為了爭地盤，一部分國人打另一部分國人。到了當時的形勢下，已經(jīng)無法分誰對誰錯，盡管都知道自己人打自己人沒意思，但是戰(zhàn)爭無法避免。成王敗寇，自古如此。所以看看電影反映出的戰(zhàn)爭套路。

馬步芳力量

1.在西北擁有一定地方影響和號召力，電影中告密者也是暗示。

2.熟悉地形，擁有地利優(yōu)勢。

3.武器精良，供給充分，軍隊強悍，尤其是騎兵。

4.武裝先進，但是歸根是西北地方勢力，而紅則是全國皆兵。

5.舊軍閥缺乏信仰裝飾，純依靠獎賞和威嚇。

紅方力量

1.重視信仰教育和宣傳得人心。即便是死了也是光榮，即便死了也得先要拉上一堆西北同胞。自己人再苦也要善待俘虜，這是對全國的宣傳，占據(jù)道德制高點瓦解了敵方軍心。

2.善于戰(zhàn)略布局。分得清主次，下得了狠心，為了彈藥、現(xiàn)金等物資，死一部分人沒什么。為了保衛(wèi)首長，或者大部隊轉(zhuǎn)移，丟棄一部分人很正常。但是，要給這些赴死之人價值感。

3.我方目標是全國，勢力也在全國。馬步芳雖強但也只是地頭蛇。

電影好的地方是拍出了戰(zhàn)爭的慘烈，一個個生命就在底盤爭斗中消失。不好的地方是，把西北人構成的馬家軍拍的跟日本鬼子似的。

興，百姓苦。亡，百姓苦。

 The Victory Is By No Means Accidental
A review of the film JING SHA

By Veronica

The film Jing Sha was quite heart-shaking. It was adapted from an authentic historical event.The film describes the story of Red Army Western Expenditure, and portrays several distinctive characters. The battle between Kuomintang and the Red Army is stirring, and the stark contrast shown in this film is also shocking.
The whole film was structured on the basis of a stark contrast between the two forces.
Their attitude towards war was enormously different. At the beginning of the film, the head of Kuomintang army forced his soldiers to fight, using carrot and stick. He promised to give them whatever they want while executed the soldiers who defected or withdrew by shooting as a warning to others. For the soldiers in the Red Army, the situation was just the opposite. They wanted to stay at the warfront and fought until the last. They chose to stay even being forced to leave. When their lives were at stake, they put others’ interest first and cared little about themselves. The doctor put himself in danger saving the patients; the pregnant woman preferred to die fighting rather than leave. The wounded, the women, and even the children fought until the last moments of their lives.
Second, the contrast manifested in the combat equipments. The Kuomintang army used state-of-the-art combat equipments, and they ate well and drank well. But for the soldiers in the Red Army, they ate barks and grass roots. They didn’t even have enough guns and bullets. Bricks and stones were all their weapons. When all the munitions ran out, they pick ed up broadswords and fought hand-in-hand. It was the spirit that keep them fighting. Despite the harsh conditions, the Red Army resisted for over three days and finally broke out of the encirclement, showing their will and combat capability.
The film has successfully depicted several distinctive characters, among which Qin Jiwei impressed us most. His personality was quite full and complex.He was experienced in fighting and rich in war strategies. He showed his composure during the battles and made wise decisions about when to stay and when to leave. He also attended to others, and it killed him to shoot Guifang to death. He was fortunate enough to be the only one to survive and later became one of the generals who witnessed the victory of the Communist party and the foundation of the PRC. Guifang’s husband, Han, was warm-hearted and humorous. Peng was different from other soldiers. He appeared more like an intellectual, who was a little stubbon and conservative. But he recorded the combat with his pen and sacrificed his life. The song he sang shortly before death was really touching and heart-breaking.All the major characters had some characteristics in common: faithful to the army, brave and capable in fighting, and never be afraid of death.
This film is also impressive and worth praising because it successfully depicted several women characters. Gui fang is the most impressive one. She was courageous and capable. She fought against the enemy as men did, even when she was pregnant. As a woman, she regarded the interest of the army as more important than her own family. And the nurse was also bold. Confronting the brutal and savage enemy, she was weak and could do nothing except weeping. But she got the nerve to kill the enemy in fighting against the rape. Even a young girl showed her attendance of others and courage to fight and die. They all sacrificed themselves for the collective interests and more grandly, the ideal of liberation.
The film has its symbolic meaning. By telling the story of Qin Jiwei and other warriors who sacrificed their lives during the combats, the film indicates the difficulties and hardships of establishing a peaceful and prosperous country. While enjoying the life now, we should always remember those who shed blood to pave the way for a better tomorrow.
In terms of the technique of film expression, the three closes-up of Qin Jiwei impress me most. The first came after one wounded soldier said”the wounded are fighting forces in war”, and persuaded him to allow them to stay and fight. After taking a glimpse of all the wounded soldier, tears came into his eyes, and his facial expression was heartbreaking. The second came after he had no choice but to shoot Guifang in case she became the capture and was savagely abused. Tears was in his eyes and we sensed the deep sorrow and hatred in his heart. The last one came after the breaking out of the encirclement. After Pend left, he read the notebook on which the details of the combats had been clearly recorded, and he foresaw that they might never see each other again. Tears appeared in his eyes. He had lost almost all comrade-in-arms, but he knew that he should never surrender and must fight until the last minute of his life. The usage of closes-up focused on his facial expression and indicated his emotions, marking the progress of the story and functioning as symbols of each chapter. The structure was compact.The music was solemn and stirring. It created an atmosphere of combat and sacrifice.

悲哀啊《驚沙》！
一悲你那段塵封的歷史，多少紅軍戰(zhàn)士戰(zhàn)死在馬步芳部的鐵蹄下，守高臺，戰(zhàn)臨澤，游擊于風雪祁連山，那白雪皚皚上，層層疊疊的是我們紅軍戰(zhàn)士的尸體，殷殷鮮血染紅了荒涼戈壁！
二悲你從此消逝的巾幗之旅，一千余女兵轉(zhuǎn)戰(zhàn)川陜甘屢立奇功，但在艱苦卓絕的西征路上，或英勇戰(zhàn)死，或屈辱被俘，之后就是飽受凌辱、殘害致死！
三悲你浴血悲歌，慘烈鏖戰(zhàn)，風沙滾滾，蒿草殘陽的歷史，真實質(zhì)樸的再現(xiàn)在電影里，卻不想被享福的后人嘲笑遠不如美國大片的戰(zhàn)爭特技！
四悲你被俘吊起在敵人的帳篷里，被敵人玩弄強奸時還受辱不屈，奮力一搏，直到最后年輕赤裸的身體上鮮血淋漓，曾經(jīng)的活力從此逝去，卻不想被沉淪麻木的后人嘲笑愛國主義不應賣肉！這是賣肉嗎？影片的鏡頭裸而不露，一點也不低級，真正低級的是這樣評論的人心！都只會爭著去看《色戒》，大談湯唯的性技；大陸不能上映《3D肉蒲團》，好多人爭先恐后組團去香港看首映禮；日本武藤蘭的假死就N多忘了祖的中國人拜祭，蒼井空開個的博客就那么多中國人心有兮兮！現(xiàn)在笑這個殘酷的鏡頭就叫低級？我看這個電影，我觸痛于這樣的鏡頭，我看到的是我們的同胞的曾經(jīng)鮮活的身體被作為牛羊豬狗一樣光溜溜的吊起，靜靜的，靜靜的，毫無生氣。那一刻，我就好像看到南京大屠殺中那一車車同樣光溜而讓人震撼的尸體。這絕不是賣肉，是為了殘酷的真實！那個裸，裸得凄美，裸得讓人一看就想掉淚，如果評論“賣肉”的你也真的看過，卻有賣肉的感覺，只能說，你的心本身就是齷齪的，無比低級！
五悲我泱泱中華大地，到處是炫耀IQ炫耀金錢邏輯混亂的所謂歐美大片，低級惡俗垃圾笑料拼湊的所謂賀歲喜劇，歌功頌德的歷史事件的流水賬似的所謂紅色電影。好不容易有這樣寫實的歷史片，它只是選取了歷史的一個片段一個細節(jié)，甚至只是一個場景，但卻被人斷章取義為“為某個人歌功頌德”。我想起毛新宇計劃為奶奶楊開慧拍攝一部電視劇一事，引發(fā)了記者們兩會期間的追逐采訪，甚至大家都忘記了他是作為政協(xié)委員來提如何“治淮”興修水利的。其實有什么好奇怪的，現(xiàn)在很多這個老一代革命家的后代，都參與了拍攝老革命家題材影視作品這個組織工作。因為只有他們的父輩甚至祖輩真實的經(jīng)歷了那個年代。而歷史的一個片斷也不能展示出所有的人，否則就一定是七零八落，邏輯松散，什么也突出不了。可是有的人就一定要往別人頭上扣個“功利心”的屎盆子，佛說“如果你看別人是屎，那你。。。”
六悲這樣值得不忘歷史還有點兒熱血的中國人看的一部電影的推出，不但沒有因為是主流電影而受到追捧，反而因為沒有大牌明星沒有商業(yè)炒作沒有虛偽的互相吹捧而少有人問津，據(jù)說自三月中旬上映以來，很多地方的影院里只有零星的兩三個人看，今天才過四月頭，我很想看時，找遍大街小巷，偌大的廣州城就沒有上映這部戲的，有的甚至說，沒有十個人看，當然不播放啦。還有不少人在網(wǎng)上唱，“誰讓他不去農(nóng)村播放??？”這是個什么狗屁思想？其實現(xiàn)在很多京滬廣的人，心早就被歐美港臺給吃了去了，他們當中有些人崇洋媚外甚至到了都想被八國聯(lián)軍殖民了去的地步。最需要看這樣的電影受這樣的教育的正是這批人！而這批人表示不愛看不好看，只能說明我們社會太多都是貼著偽紅色標簽和外衣的作秀，冠冕堂皇之下缺乏真正觸動人心的愛國主義教育！這是十分危險的！十分悲哀的！一切向“qian”看的今天，希望在思想上觸動沉淪麻木的人，還真的很難。
本以為應是悲壯，最后只落得個“悲呼哀哉”!我只能在網(wǎng)上下載個不清晰版，就當是“清明時節(jié)雨紛紛，悼念先烈勇斷魂”吧。