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1 ) 一個(gè)精神病患者怎樣找到真相呢？
The rhythm of Robert Zemeckis’s movie is superb. Which gives the movies a lot of power and meaning. Rhythm in life is more than half of the meaning. Every moment of your life is an opportunity to enjoy the rhythm. Even the absolute mundane can be meaningful given the right rhythm.
Always remember: life is not about what we do, but how we do it. The purpose of life is to do things with a rhythm, not to necessarily accomplish certain things.
The story is essentially about how a woman seeks the truth about her past.
1. OPPORTUNITY is something happens to make the protagonist view everything from a different perspective.
2. CHANGE OF PLAN is when she takes initiative to seek the truth, including being forced to confront the truth by the husband. Just before POINT OF NO RETURN, she knows what is wrong by confronting with the neighbor.
3. At the POINT OF NO RETURN, she is reminded of her past and gets the identity of the ghost.
4. HIGH STAKES is when she goes to find the mother of the ghost and brings its hair home so that she can be hosted by the ghost. Then she remembers everything about her husband’s infidelity.
5. EVERYTHING IS LOST is when she has given up searching for the truth and burns the hair.
6. FINAL PUSH is when she brings the box from the lake and his husband shows who he really is.
Page 0Michelle in the tub, awakening from a bad dream.
Page 3Introduction of the daughter and the dog.
Page 4Introduction of the husband and the neighbor from afar arguing.
Page 5Sending the daughter to the university.
Page 6Couple alone in the bedroom. The perfect relationship. Sex competition with the neighbor.
Page 10Michelle alone in the house, looking at her old stuff, feeling overwhelmed, but doesn’t know why.
Page 13The wife next door is also crying and terrified of her husband, which worries Michelle so much that she asks Normal to check on the neighbor, who is also a professor. (THE EMOTIONAL OPPORTUNITY THAT CHANGES THE WAY THE PROTAGONIST LOOKS AT EVERYTHING.)
Page 15Discuss with Norman about her worry about wife next door.
Page 17Michelle finds a slipper with blood on it. Chat with her best friend who believes in psychic about her stress: a new house, sending daughter to college and also the car accident.
Page 19At night, Michelle spots suspicious activity of the neighbor carrying a body.
Page 21Something suspicious about the door. The dog also acts funny and she finds a body in the lake. (THE SERIES OF EVENTS MAKE THE PROTAGONIST CONNECT THE NEIGHBOR WITH THE GHOST)
Page 24The stereo is turned on by itself, which freaks her so much that she goes to see Normal in the office, where she overhears the drug that renders mammon immobile.
Page 26 Discussion about Normal’s finding about the new neighbor.
Page 27Weird door stuff again. This time it breaks the photo frame.
Page 29Michelle sees the car leaving and she goes to visit the neighbor again, only to be greeted by the cold and evasive husband.
Page 32Michelle’s peeping on the husband is spotted by the neighbor. This is definitely a drastic behavior for somebody like Michelle. (CHANGE OF PLAN AS THE PROTAGONIST TAKES INITIATIVE TO LOOK FOR THE ANSWERS)
Page 33Going to dinner with Normal. Crossing the bridge. (Get the audience used to the idea of cell phone reception.)
Page 35Talking about how they meet and Michelle’s back story. Also the haunting stuff Michelle has been experiencing. The husband is forcing Michelle to face her fear directly.
Page 38Michelle finds a mysterious key under the floor after fixing the picture frame. But she couldn’t find where to use it.
Page 40Michelle finds a ghost in the tub water. And she goes to see a shrink.
Page 43Heeding the shrink’s advice, Michelle gets a wiji board in order to communicate with the ghost. (CONNECTING WITH THE GHOST IS THE CONTINUITY OF CONNECTING WITH THE NEIGHBOR)
Page 50After her friend left, the ghost again tries to communicate with her and telling her initials on the computer, which is the same as the neighbor.
Page 51Michelle goes to see his husband in the office again, which makes the husband angry.
Page 52Michelle confronts the neighbor in the university only to find out that she is completely wrong about who the ghost is.
Page 54Michelle admits to the shrink that she was wrong.
Page 55Neighbor Mary comes to visit Michelle to apologize the wrong impression she gave her and all the misunderstanding has been resolved.
Page 58On the party, an old lady friend reminded her about how she got into the car accident a year ago. (It is the EMOTIONAL POINT OF NO RETURN because she starts to remember her past and she starts to investigate her own past instead of the neighbor.)
Page 60The picture frame is broken again and the article on the back of the picture tells her about a missing girl. And she is able to find the exact identity of the ghost. (PHYSICAL POINT OF NO RETURN AS THERE IS NO WAY THAT SHE IS GOING TO STOP INVESTIGATING NOW. YOU CAN JUST SEE FROM HER EYES THAT SHE KNOWS THAT SHE IS RIGHT.)
Page 62Discussion with the husband about her new finding. Although her husband is skeptical, she is sure about herself.
Page 63Michelle goes to visit the missing girl’s mother.
Page 66Michelle steals the girl’s hair from her room.
Page 68Michelle’s eyes turn green and starts to seduce Norman.
Page 72Michelle loses the hair and begins to remember how she finds Norman having an affair with the girl and how she got into the car accident.
Page 75Michelle talks about the truth of the past with her best friend.
Page 77Michelle finds out Normal being electrocuted in the bathtub after coming home. She thought it was her fault to bring all this because she brought the hair home.
Page 79Normal confesses to her about his infidelity.
Page 83Normal calls an expert to investigate on the ghost until he sees Michelle goes to the lake.
Page 86Normal rescues her from the lake, where Michelle sees a box. They burn the hair.
Page 88Michelle starts playing music again and she can feel that the ghost is gone. Normal pleads with Michelle, who forgives him. They go sailing to let the audience get used to the idea that they have a boat. (EVERYTHING IS LOST FOR THE PROTAGONIST BECAUSE SHE HAS GIVEN UP SEEKING THE TRUTH)
Page 90Taking a bath, only to find the key again, which leads her to Adamant, where she sees that the key is to a box that she saw in the lake.
Page 93Michelle gets the box from the lake, only to find the necklace of the ghost.
Page 94Normal tells Michelle how the girl died and asks for her forgiveness. But she insists on calling the police.
Page 100Normal drugs Michelle and tries to drown her in the tub when she finds out that he didn’t call.
Page 106Normal hits his head when he sees the ghost when he tries to take the necklace off Michelle’s neck.
Page 110Michelle saves herself and regains mobility just before she is drowned in the bath tub.
Page 116Michelle gets out of the house, drives the car with the boat and runs. At the middle of the bridge, she calls the police once she gets signal until she is attacked by Normal.
Page 120Normal tries to drown Michelle again only to be pulled down by the ghost that was struck out by the boat stick.
2 ) 挺好的懸疑片，非得弄個(gè)鬼怪，不倫不類的
二刷，菲佛女神依舊很美。只不過挺好的驚悚懸疑片最后二人同時(shí)看見鬼怪了屬實(shí)有點(diǎn)掉價(jià)，大大降低了影片的完成程度。
閑居在家的家庭主婦白佳麗送走女兒上大學(xué)后倍感空虛，她曾是樂團(tuán)的大提琴手，自從結(jié)婚后就專職主婦了?；貋矸聪鄡?cè)來找回曾經(jīng)的記憶?？匆娨粡埲ツ甑能嚨溦掌蟠簧蠚饬耍s緊跑到外面，這時(shí)聽到隔壁鄰居痛哭流涕，白佳麗以為這個(gè)女人遭到家暴。
第二天就悄悄闖入她家，在走廊上發(fā)現(xiàn)一只拖鞋。回家后好友卷發(fā)姐因?yàn)樗ツ臧l(fā)生車禍的緣由來看她，晚上白佳麗看到隔壁男人冒著大雨往后備箱塞大物件，這讓白佳麗感到害怕。第二天就開始偷窺鄰居了，回來后發(fā)現(xiàn)照片掉了、門自動(dòng)打開，在湖邊時(shí)發(fā)現(xiàn)水里好像有個(gè)女人的臉。丈夫回來告訴她隔壁男人在學(xué)校是個(gè)好人，第二天白佳麗又賊心不死，悄悄潛入鄰居家，正好被鄰居男人抓包。女主回來后在晚上又開始拿著望遠(yuǎn)鏡偷窺，徹底化身偷窺狂。
聚會(huì)結(jié)束后回到家的白佳麗在書房的夾層里找到了一把鑰匙，
準(zhǔn)備睡覺的白佳麗在浴室外看到冒著白氣，進(jìn)去后從浴缸的水面上看到了無名女尸的倒影。經(jīng)過心理治療回來后又在浴室的鏡子上看到了you know，這讓白佳麗徹底崩潰，一致認(rèn)為是隔壁女人被害。她怒氣沖沖的跑到學(xué)校質(zhì)問鄰居男人，可她的老婆就在他旁邊，這讓白佳麗慚愧的低下了頭。
佳麗又參加了party，經(jīng)過一個(gè)老夫人的關(guān)心后回到家，又再次不小心打碎了相框，發(fā)現(xiàn)合影是從報(bào)紙上剪輯下的，報(bào)紙的背面是一個(gè)女孩的被害消息，上網(wǎng)搜索后發(fā)現(xiàn)這個(gè)女孩就是前幾天看到的女鬼。白佳麗通過網(wǎng)上信息找到了她的家，并拿了一縷被害女孩的頭發(fā)?；氐郊液蟀准邀愅ㄟ^招魂儀式ritual被女鬼附身了，對(duì)著丈夫各種挑逗，姿勢(shì)十分的誘人，
丈夫樂開花。當(dāng)她說你的老婆回來后丈夫怒推，這時(shí)白佳麗想起了一年前發(fā)生的事，原來丈夫在家中出軌了女學(xué)生，所以才會(huì)在杜邦party上失態(tài)。女主接受不了又去了好友卷發(fā)姐家里尋求安慰，十分傷心地佳麗又拉起了大提琴。晚上趁著丈夫熟睡時(shí)她下湖底取了那個(gè)木箱，用夾縫里的鑰匙打開后發(fā)現(xiàn)是一條項(xiàng)鏈，佳麗認(rèn)為是丈夫咔嚓了它。丈夫佯裝自首，
被佳麗發(fā)現(xiàn)后遭到了丈夫的暗算，用沾滿藥劑的毛巾封印了佳麗，讓她無法動(dòng)彈并放入了浴缸里，打開水龍頭佯裝自殺的假象?？烧煞虬寻准邀惖念^抬起時(shí)變成了女鬼的臉，嚇得丈夫腳底打滑半死了過去。佳麗從浴缸回復(fù)身體后在客廳發(fā)現(xiàn)了丈夫的身體，她趕緊開車離開，沒想到丈夫已經(jīng)在后備箱偷襲了她。開車掉入湖里后，車上的重物掉下湖底，正好砸在了一年前沉尸的小汽車，里面的女尸浮上來并伸手抓向了丈夫讓其溺死，白佳麗火速逃出來。
3 ) 《危機(jī)四伏》的婚外戀：摩羯 vs 天蝎
本片從拍攝技術(shù)上看，最大的亮點(diǎn)一是恐怖氣氛的營(yíng)造和恐怖心理的節(jié)奏掌握非常到位，二是懸疑細(xì)節(jié)的安排非常精致值得玩味。能做到這兩點(diǎn)，就能成就一部成功的懸疑驚悚片。氣氛的營(yíng)造本片勝在以最熟悉最平常的生活場(chǎng)景為恐怖元素：浴室、澡盆、鏡子、鄰居、丈夫，出彩的攝影和音效十分到位地嚇住了觀眾。節(jié)奏的掌握本片勝在前半部分驚嚇前持續(xù)的讓人窒息的寧靜，隨著心跳聲緩慢的鏡頭移動(dòng)，然后突然的鏡頭閃現(xiàn)和音效插入；到后半部分則加大恐嚇難度，持續(xù)寧靜后卻是一場(chǎng)空，待觀眾情緒舒緩麻痹放松后，再突然出現(xiàn)恐怖場(chǎng)景，就像打游擊戰(zhàn)、斗智斗勇一般嚇唬觀眾，這真稱得上一絕。懸疑細(xì)節(jié)的安排本片體現(xiàn)在多條可能性線索的自然轉(zhuǎn)換，一張一弛，一波平息一波又起，每一個(gè)道具，如麻醉藥、拖船車、大橋、相冊(cè)、相框、鑰匙、頭發(fā)、項(xiàng)鏈、巫書、電腦游戲等等都精心安排，到后面全都有照應(yīng)的用上。不到最后猜不出結(jié)果，到最后才恍然大悟，就是懸疑片的最佳效果。
本片從內(nèi)涵深度上看，最大的亮點(diǎn)在于對(duì)傳統(tǒng)話題“婚外戀”作了全新的詮釋，新在哪里？不是新在超現(xiàn)實(shí)主義的“善有善報(bào)、惡有惡報(bào)”的冤鬼復(fù)仇；而是新在男性和女性如何對(duì)待曾經(jīng)犯下的錯(cuò)誤，如何對(duì)待名譽(yù)、事業(yè)、家庭和愛情，對(duì)這些老生常談的兩難社會(huì)問題作了細(xì)致入微的第一視角的刻畫。讓人感覺這一切發(fā)生得如此自然、如此真切，似乎如果是自己，也將不可避免地如此發(fā)展，到最后悲劇的結(jié)局只能是無奈的嘆息。情節(jié)的安排帶有明顯的個(gè)性化色彩，諾曼性格是自尊心極強(qiáng)，很要強(qiáng)、很要面子的，在思維方式上非常理性和堅(jiān)韌，是典型的摩羯座性格；克萊爾則是敏感而神經(jīng)質(zhì)、執(zhí)著甚至有些偏執(zhí)、好奇心重、占有欲強(qiáng)、報(bào)復(fù)心重、不依不饒，是典型的天蝎座性格；男土女水這樣兩個(gè)性別典型的星座在一起而且都很強(qiáng)硬，就必然發(fā)生非常戲劇性的沖突和激烈的碰撞。試想若是諾曼稍微軟弱、感性一點(diǎn)，也不至于下得了手殺妻；若是克萊爾稍微豁達(dá)一點(diǎn)，也不至于把丈夫逼上絕路。一部非常人性化的電影，講述一個(gè)非常人性化的婚姻悲劇，這才是本片最為深刻而精彩的亮點(diǎn)。
2005.11.21
4 ) 真相的背后是欺騙
看完了片子我想說婚外情的結(jié)局最終還是會(huì)走向終點(diǎn)，只是會(huì)以不同方式結(jié)束罷了，那個(gè)年輕的生命，那朵在大雪中的紅玫瑰，還有克萊爾的背影，都是這場(chǎng)婚外情帶給我的啟示，天下沒有不通風(fēng)的墻，看得出諾曼是愛克萊爾的，可一次致命的出軌抹殺了他作為一個(gè)標(biāo)準(zhǔn)丈夫的所有完美記錄，所以男人有時(shí)候不能走錯(cuò)一步，因?yàn)槟菍?huì)是另一個(gè)不歸路的開始。
幾段浴室戲挺搶眼的，呼吸都快停止了。故事在米歇爾最后浴室掙脫到此多好，非得后面加一段血債血償。福特演反派確實(shí)挺意外。多年之后再看覺得前面有些冗長(zhǎng)沒必要。
輪番進(jìn)來吃東西，聊天，看的三心二意的
導(dǎo)演是戀足癖嗎？這片子菲佛的腳部特寫未免太多了吧？?jī)蓚€(gè)主角都發(fā)揮出色，就是這劇情有點(diǎn)滑稽，嚇人的點(diǎn)過于依賴一驚一乍的音效，但有幾個(gè)利用特效/光影制造的鏡頭還是很驚喜的，譬如菲佛在浴缸乍變死尸臉還有福特在車子后面陰影中突然冒出。75
7.0/10 分。節(jié)奏緩慢，所有的精彩都在最后十分鐘。。。
很多年前的了，當(dāng)年看的時(shí)候，那個(gè)時(shí)代，這部片子絕對(duì)值5星，現(xiàn)在大家口味重了，這部很經(jīng)典
懸念的鋪設(shè)和結(jié)尾較為容易猜想到的走向都是沒有太多驚喜的，倒是本片中各種鏡頭語言的運(yùn)用確實(shí)是很多恐怖類型的片子可以好好學(xué)學(xué)的。高潮部分女主的尖叫和最后尸體還魂的確鑿其實(shí)并沒有必要，回歸心理精神照樣能說好故事。
一個(gè)億的投資花在哪里啦？演員的粉底還是煙餅呀？不知道美國(guó)編劇折磨中產(chǎn)階級(jí)中年獨(dú)女的習(xí)慣是什么時(shí)候開始的。
居然還惦記上人家女兒了 禽獸阿
這個(gè)片子其實(shí)可以不用鬼來做主題，進(jìn)懸疑的部分加劇情就可以成為一部經(jīng)典。哈里森福特的演技絕贊，調(diào)查過程安排也不錯(cuò)。女主的失憶和項(xiàng)鏈盒子等等，都是環(huán)環(huán)相扣，很好的片子。
鬼片就鬼片，能不能別扯恐怖片？本以為是正經(jīng)懸疑驚悚，好家伙看一半通靈都出來了。又長(zhǎng)又磨嘰，鄰居那條線就占了一半時(shí)長(zhǎng)結(jié)果只是個(gè)幌子，快一小時(shí)才進(jìn)入正題。節(jié)奏感太差
還行吧，鄰居太太那段太牽強(qiáng)了吧，強(qiáng)行讓女主以為鄰居殺人，感覺直接從浴缸見鬼影那里開始也行。大部分驚悚鏡頭都能預(yù)料到，不過最后那里挺緊張的，感覺冥冥之中一切都已經(jīng)被女鬼安排好了
一部很好的電影，菲佛和福特的表演很到位，原來福特也可以飾演這種角色。。
不知是不是因?yàn)楫?dāng)時(shí)教室的音效好，是我至今看過的最恐怖的影片了
6/10。揭示真相版《深閨疑云》，夫妻間的莫名猜疑與典型的線索追蹤電影混合而成，導(dǎo)演沒少偷師希胖，對(duì)幽藍(lán)光的運(yùn)用、動(dòng)作復(fù)雜的攝影機(jī)轉(zhuǎn)場(chǎng)、懸疑景別的設(shè)置（浴缸快溺的交叉剪輯、撿電話的低角度）。但謎底并沒指向希胖鐘愛的雙重人格，而是順應(yīng)了《第六感》后人鬼殊途的潮流。整體沒新意，不看也罷。
很hitchcock，特別是浴室求生一場(chǎng)的剪輯。鄰家女人的線索僅作為隱喻，在這種類型影片中不常見，一般往往會(huì)發(fā)展成一個(gè)關(guān)鍵情節(jié)。但我反而很喜歡這樣的設(shè)置。
你在開玩笑嗎......
很久以前看的了。比較平庸，沒啥不好也沒啥好。。。
經(jīng)典，我喜歡的女演員，技術(shù)上太值得學(xué)習(xí)了
讓哈里森福特演個(gè)殺人犯有點(diǎn)過分。他那么帥那么迷人。哈哈哈哈。這部電影當(dāng)年看的時(shí)候嚇壞我了?？梢哉f又是恐怖片又是鬼片。女主應(yīng)該不愛老公吧。從頭到尾都在質(zhì)疑懷疑老公殺了人。我還一直以為是她錯(cuò)怪了老公。聽說這部電影是羅伯特澤米吉斯拍攝荒島余生期間抽空拍的。大導(dǎo)演就是牛。隨便拍的電影都這么驚悚嚇人。
最討厭戴著懸疑的帽子，拍的鬼片了。